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Rich Sound, Smooth Mechanism, Right Balance

“When I decided to buy a new flute, I spent about a year and a half searching, trying all kinds of different instruments. I was not satisfied with anything until I decided to try Miyazawa. There I found what I had been looking for: a rich flexible sound, a smooth even mechanism, and the right balance between power and sensitivity. I love my Miyazawa!”

MARISELA SAGER | ASSISTANT PRINCIPAL FLUTE OF THE BALTIMORE SYMPHONY

Hernán Jara Salas

We had the opportunity to ask Hernán a few questions. Take a look at his thoughts on winning the Solo Flute position with the Orquesta Sinfónica de Chile, the most valuable lesson the flute has taught him as well as advice for upcoming flutists. 1. ¿Cuál fue tu experiencia al...

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Ian Clarke

We had the opportunity to ask Ian a few questions. Take a look at his thoughts on his composition process and inspirations as well as advice for upcoming flutists. 1. What are your greatest inspirations for your compositions? Each composition has its own story so it is difficult to say, particularly because...

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Jan Bengston

We had the opportunity to ask Jan a few questions. Check out his thoughts on starting the flute at age 4, studying with a parent as well as approaching new pieces as an orchestral flutist. 1. What was it like starting the flute at the age of 4? Do you remember this...

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Janette Erickson

We had the opportunity to ask Jan a few questions. Check out her thoughts on keeping inspiration for orchestral excerpts, influential flute players, as well as advice for upcoming flutists. 1.  What does a typical day look like for you? A typical day starts with warm-ups and the hardest piece...

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Jessica Hull-Dambaugh

We had the opportunity to ask Jessica a few questions. Check out her thoughts on preparing for auditions, performing with Yo-yo Ma and Wynton Marsalis, as well as advice for upcoming flutists. 1. Currently Principal flute of the Charleston Symphony Orchestra in South Carolina and former Principal of the Maryland...

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